“You speak English so well, where did you go to school?” That could
easily rank in the top five annoying questions asked to products of the
“Model C” system. And when I answer “Hillview High” (a name that has
never and will never feature in any Easter Rugby tournament) a dense
cloud of awkwardness and confusion invariably descends on the
conversation.
The thought that someone could find a black person’s more-than-decent
grasp of the Queen’s language perplexing, leaves me rather perplexed.
It’s as if the result of this decades-long move towards integration was
supposed to be something other than what it turned out to be. What I
also find curious is the privilege that draping my words in a “Model C
accent” affords me. It grants me audiences with people of influence when
I know, for a fact, that the people who most deserve such
opportunities, are those who enunciate with a little more fervour than
is comfortable and whose English doesn’t come out of their nose. It also
serves as incontrovertible indication that I’m well-versed in the
nuanced grammar of “whiteness”, that I’m safe to be around, that I’m not
about to pull a red beret out of my back pocket any time soon.
However, should I require anything from a sales
assistant/cashier/official with a skin tone of similar hue to mine, I’d
do well to put that accent away if I’m to progress in my endeavour
without evoking derision. My recent move to the republic of the Western
Cape has made this a rather challenging feat, as my handle on the
isiXhosa language can only be likened to Miley Cyrus’s handle on the
concept (and mechanics) of twerking: comical at best, cringeworthy at
worst. So I’ll usually open an exchange in Setswana and they respond in
isiXhosa, which sometimes backfires because I’ll be called out for being
too hard-headed to learn the language.
The ability to emulate a duality of cultures, as and when convenient,
is as beneficial as it is crippling. I was recently reminded of this on
the day of the commemoration of Steve Biko’s death, simply because of
my glaring lack of knowledge on the subject of Black Consciousness. I’ve
spent the majority of my life choosing to camouflage my blackness
because I was very aware of how well I blended in and how far I got when
I did so. It wasn’t until I was in the middle of a discussion about the
significance of the #KnowYourDA campaign that I realised that not only
my speech but also my reasoning mirrored that of middle-class white
people. Perhaps it’s because we realise how precarious our social
standing is, or how volatile the social currency of speaking whiteness
when you’re not white, but me and those like me have, for the longest
time, ignored the warnings of our peers to “emancipate [ourselves] from
mental slavery”.
The fact that only black people can create the space required to
self-define, means we (both black and non-black people) need to get
comfortable with the idea of being uncomfortable, it means privileged,
middle-class black folk will have to confront and interrogate their
thinking and ultimately, it means non-black people need to listen. Not
justify, not think of comebacks, just listen.
Anybody who’s not black would, in all likelihood, be baffled at the
need to disguise one’s blackness, as they’ve never had to appropriate a
culture that isn’t their own. Just think of one black person you know
who speaks “really well” and ask yourself how your relationship with
them would have been different if they didn’t.
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